The concept of "In the World" invariably involves transitions into new phases, venturing into new worlds and experiences in order to achieve growth, maturation, and inner progression. This concept is undoubtedly evident in JC Burke's novel “The Tom Brennan Story,” the June 2003 Who Australian Weekly article “Into Africa,” and Michael Leunig's animated “The Egg.” Through the use of a sophisticated range of techniques, composers are able to maintain high levels of authenticity throughout the duration of the lyrics, ultimately stimulating a more powerful response from the audience while at the same time representing the underlying idea that l he experience of moving through the world can challenge an individual's attitudes and beliefs. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original EssayThe three texts implicitly demonstrate the inevitable reality that individuals must leave behind the short-term comforts and security provided by the old world to satisfy unfulfilled satisfactions. inner desires. Burke skillfully describes this concept through the Brennans' symbolic gesture of “Closing the front door of their home for the last time.” Through the use of precise timing, "4.30 on Friday 23 January", along with first-person narration, allows a reflective and melancholy tone to be established, reinforcing this concept of sacrificing the status quo. The fact that Tom was forcibly removed from his old world (Mumbilli) suggests that he left his family and friends to search for a portal to a new world (Coghill). Thus the notion of sacrifice can challenge experiences of movement in the world and change an individual's attitudes and beliefs. Similarly, the composer of “Into Africa” challenges an individual's attitudes and beliefs of moving through the world by juxtaposing Gemma's old materialistic world which was made up of "comfortable surroundings, a nice house, B&B dancing, V8 and a typical country girl lifestyle” with her new world that included “a two-room hut made of mud and bamboo.” The use of descriptive language and the mention of these close extremes subtly evokes a sense of awe in the reader, thus enticing them to challenge their own attitudes and beliefs. Additionally, the idea that leaving the old world involves an element of permanence is highlighted through the first-person narrative “I was abandoned for a spear-throwing warrior.” The satirical, almost sarcastic tone suggests that the relationship between Gemma and her ex-boyfriend will not be regenerated, reinforcing the concept of permanence. This effectively challenges the character's attitudes and beliefs, thus evoking a deeper impact on the audience. Leunig effectively describes the notion of sacrifice which challenges the individual's attitudes and beliefs when the person breaks the protective shell of their egg, the egg symbolizing protection, safety and security (the basis of Marlow's hierarchy of internal needs). As the character is inside the egg, high angle shots are used, symbolizing dominance, however when the character leaves the egg, he appears to be pink and naked. The character's nakedness symbolizes the lack of security and protection provided when leaving the old world and venturing into the unknown. Changing the camera angle downwards reinforces this. Additionally, brushing the dirt off his arm serves as a metaphor for brushing away his past or his old world and looking to the future. This is in stark contrast to “The Tom Brennan Story” as the revitalizing energies of the energies of