Have you ever felt misunderstood? Have you ever felt detached from the general population around you? Have you ever needed everyone to just ignore you? In The Curious Incident of the Dog in the Night-Time, composed by Mark Haddon, Christopher, the main hero of the novel, struggles with trying to identify with other individuals, experiences serious difficulties in understanding why individuals question the way he acts, he continually feels isolated from the general population around him and dreams of being the main person left on the planet. Christopher has a condition, an implied type of mental imbalance that makes him think and speak in a contrasting way to the various characters in the book. What begins as an enigmatic novel quickly turns into a tragic anecdote about Christopher's desire to be understood and to have people he can trust in his life, who also genuinely love him. The Curious Incident of the Dog in the Night-Time demonstrates to the reader that, despite the fact that our personalities sometimes function in ways that others cannot identify with, we as a whole need to be seen, even by people who question us when we affirm what we affirm and we think what we think. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Mark Haddon uses representation as an approach to allow us to understand what kind of individual Christopher is. It knows all the nations of the world and their capitals, and every prime number up to seven thousand and fifty-seven. He identifies more with creatures than people, and it's clear in how he treats his pet rodent, Toby. Christopher hates yellow and dark shades so much that he won't eat anything containing those shades. Although these qualities may seem unusual at first, it is anything but difficult to see that it is not as diverse as it appears to us. Overall, don't we have things we despise? Overall, don't we have our least favorite shades? Overall, don't we feel like sometimes our pets are the main ones getting us? Because the adults in his life cannot relate to the way he feels, Christopher tells the reader about a specific dream he keeps having in which everyone on the planet is dead except him. Imprint Haddon uses fantasy to symbolize Christopher's feelings of isolation and dissatisfaction. Christopher explains that in his dream “I can go anywhere in the world and I know that no one will talk to me, touch me or ask me a question. But if I don't want to go anywhere, I don't have to, and I can stay home and eat broccoli and oranges and laces of licorice all the time, or I can play video games for a whole week, or I can just sit in the corner of the room and rub a coin back and forth over the rippled shapes on the surface of the radiator. And I shouldn't go to France." (Chapter 229) Mark Haddon uses the climax of the story as a path for Christopher to misunderstand. The climax of the story is the point where Christopher's father warns him that he was the one who stuck the pitchfork in Wellington's stomach. This data proves important to Christopher and he hatches a plot to escape in view of new feelings of doubt towards his father. Now they exchange jobs. Christopher is the person who doesn't understand why his father would massacre Wellington. Christopher's father pleads “I didn't know what to say. I was in such a mess. He left a note and... Then he called and... I said he was in hospital because... because I couldn't explain. It was so complicated. As..