IndexOutline of the Night EssayIntroductionAggressive Diction and Loss of FaithThe Tone and Its Emotional ImpactImagery and Its Effect on the ReaderRaskolnikov's Transition and Relationship with SonyaConclusionExample of a Night EssayThe Variety of Literary Devices in the "Night" by Elie WieselTransitional changes in Raskolnikov's character Conclusion Works Cited Night Essay Outline Introduction Overview of Elie Wiesel's "The Night" and his depiction of the Holocaust The impact of the Holocaust on Eliezer's physical, emotional, and spiritual well-being The role of Aggressive Diction, Gruesome Images, and Figurative Language in Narrative Aggressive Diction and the Loss of Faith Analysis of Wiesel's use of aggressive diction The meaning of words such as "murder," "consumed," and "flames" in describing faith The repetition of "I will never forget" to emphasize the horrors of the Holocaust The use of powerful words such as "commanded" to describe the treatment of Jews The tone and its emotional impact The solemn tone of the narrative The portrayal of acceptance of its destiny by Eliezer Examples of metaphors and personification to convey emotions The way tone defines mood and reflects the narrator's emotional state Imagery and its effect on the reader The use of imagery to stimulate the senses and emotions reader's Memorable images such as the reflection in the mirror and the hanging boy The impact of images in conveying the horrors of the Holocaust Raskolnikov's transition and relationship with Sonya Raskolnikov's change of consciousness after committing murder His struggle with accepting guilt and the collapse of his resistance Sonya's role in helping him face his crime Raskolnikov's realization and path to redemption Conclusion The transformative journey of Eliezer and Raskolnikov The importance of literary devices in conveying their emotional and psychological experiences The lasting impact of their stories about the reader's understanding of human suffering and redemptionNight essay example"Never do I forget that night, the first night in the camp, which turned my life into one long night, seven times cursed and seven times sealed... I will not forget never those moments that murdered my God and my soul and reduced my dreams to dust. I will never forget these things, even if I were condemned to live as long as God himself. Never. (Wiesel)” In the novel Night, Elie Wiesel recounts his horrific experience as a young Jewish boy during the Holocaust in which he witnessed some of the eleven million deaths that occurred as a result of Adolf Hitler's quest for power. At the age of twelve, Eliezer and his family were transported and transferred through numerous concentration camps where he witnessed the worst forms of torture, abuse, and inhumane treatment. This experience had a tremendous physical, emotional, and spiritual effect on Eliezer and had an obvious influence on the tone in which he wrote the book. To give the reader a realistic experience, Wiesel uses aggressive diction, gruesome imagery, and figurative language to reinforce Eliezer's loss of faith and identity. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The variety of literary devices in Elie Wiesel's "Night" Wiesel's aggressive diction gives the reader a clear picture of his concentration camp experience, and offers an explanation of why Eliezer, a devout Jew, begins to doubt and lose faith in God. He uses the words "murder" and "consumption" to describe how he feels about having his faith tested. Both of these words carry weightconnotations and further support Eliezer's hypothesis that his faith was devoured by the “flames” of the Holocaust. He continues to say that his “dreams” have gone “to ashes,” suggesting that he has nothing left to live for. His constant repetition of the phrase “I will never forget” continually imprints the horrors of the Holocaust into the reader's mind. Wiesel also uses stronger words like "commanded" rather than milder words like "asked" or "requested" to dictate to the reader the treatment he or she has received. These words highlight the power of the Bible for Jews and suggest that they continue their Jewish traditions only out of obligation rather than a desire to practice their faith. Oddly enough, Wiesel also uses the word “Hellish” to describe the sun and the effects it has on his health and hydration. This use of tone and diction helps give the reader a first-hand perspective on Eliezer's experiences and allows them to better understand the challenges he was subjected to. The use of a solemn tone and various literary devices is an effective method by Wiesel to portray emotions, or lack thereof, to the reader. Dr. Yi Chan of Stanford University suggests that Wiesel reflected on the more depressing aspects of the Holocaust and effectively puts the reader in a depressed state of mind. Although most of the text was full of emotion, there were moments when Wiesel showed no emotion at all; as if the life had been sucked out of him. For example: «On the seventh day of Easter the curtain finally rose: the Germans arrested the leaders of the Jewish community. From that moment on everything happened very quickly. The race towards death had begun" (10). In this quote, the lyrics suggest that Wiesel no longer cares about his life, he has accepted his fate. In the previous quote you can also find a metaphor: “the curtain has finally risen”. This represents the revelation of the German's actions which had been relatively hidden for some time. Another example of metaphor is when Eliezer sat helplessly in the concentration camp, talking to himself: "As Eliezer himself says, "The days were like nights, and the nights left the dregs of their darkness in our souls" (88). The night is therefore a metaphor for the way in which the soul was immersed in suffering and desperation. The reader can also find personification in the text, when Wiesel describes the way they watched the children enter the crematorium: “I will never forget the little faces of the children whose bodies I saw turn to smoke under a silent sky” (34). The inhuman characteristics of the bodies turning into smoke present the reader with a gruesome image intended to have an emotional effect. The use of literary devices in the text adds an additional element to Wiesel's memoirs and works as an effective support for the diction and the sentences. images. Although Wiesel uses tone as a sedative throughout most of the novel, he also uses it skillfully throughout the story to express the strength of his relationship with his father even in the face of hardship it was, at times, the only reason to continue to constantly fight to live: “The idea of ​​dying, of ceasing to exist, began to fascinate me. To no longer exist. To no longer feel the excruciating pain in my foot” (86). In this quote, Wiesel is creating a tone of surrender, of desperation. The text suggests that Eliezer has given in and is content with death. However, as the sequence progresses, he continues to write: “My father's presence was the only thing that stopped me. He ran next to me, breathless, powerless, desperate” (86). Even when death seemed like a tempting option, Eliezer's thoughts about his father didencouraged him to overcome his difficulties. Tone is used in the text to convey a certain mood to the reader that would not have been achieved without it. Wiesel uses imagery to reach the reader beyond his or her normal perspective and reach the imaginative side of the reader's mind. According to Sean M. Conrey of the Purdue Owl, an author “uses a word or phrase to stimulate the memory of those senses. These memories can be positive or negative and will help create the atmosphere of the story.” This can be found throughout the novel, once when Eliezer crawls out of his bed to look at himself in the mirror, only to find a horrifying sight: “From the depths of the mirror, a corpse looked at me. The look in his eyes, as they stared into mine, has never left me” (109). This is the final line of the book and leaves the reader with the everlasting image of Eliezer's broken body as he comes to the realization of what he has been through. Another moment where Wiesel paints a memorable picture for the reader is when he is in the concentration camp, wondering, "Where is God now?", only to answer himself, "Where is HE? Here he is, hanging on the gallows…” (62) Eliezer refers to the boy who was hung for all to see as the work of God, further stating that he has lost all faith in God. One can clearly imagine a defeated young corpse, with the inscription innocent on the face. This use of images has a great effect on the reader and the way one interprets the novel. The most important thing for Eliezer is his Jewish faith; however, he loses all faith in God after witnessing the terrible Holocaust in turn, Eliezer is stripped of his identity. Wiezel is able to effectively convey this idea to the reader through the use of various literary devices and overly aggressive diction , as it shows much more than just physical effects. The reader now has a clearer understanding of what the Jews truly had to endure during this genocide. Transitional changes in Raskolnikov's characterAfter reflecting on the pessimistic consequences of this bloody and selfish murder, a change in consciousness occurs in Raskolnikov. Once he understands the reality of the matter, he suffers a nervous breakdown: “It certainly hasn't started yet! Surely it's not my punishment coming upon me? AND! (103)”. Although he committed a very serious crime, Raskolnikov still refuses to believe that it actually happened. Referring to his theory of man, according to which the extraordinary man is “allowed” to break the law, he should be allowed to break the law without asking questions, as it connects with the mentality possessed by the extraordinary man. Sonya's delicate personality helps show Raskolnikov that he doesn't fully qualify for the part of the extraordinary man. That little sliver in him made up of all the goodness, purity, love, and forgiveness associated with Sonya still shines through her. He realizes the pain and suffering he will face, but he cannot allow the law to overwhelm his intelligence. By not accepting Sonya's identity, his mind and body cause him to carry the burden of guilt. Mentally he could not surrender to the just legality that governed the city, and physically he could not surrender to its cruelty. Raskolnikov's overbearing resistance to authority leads him away from the path of truth, and because of this ignorance of reality, he refuses to do so. admit his crime. Confused between right and wrong, he experiences an internal battle, leading him into a mental dispute, Raskolnikov had to tell Sonia who had killed Lizaveta. He knew the.