The children's television show I decided to analyze for this essay was Nickelodeon's "SpongeBob SquarePants." This show gives children various perspectives using stories with data for their creative mind and offers suggestions about the whole world. During this television program, she also gives children an example of what it truly means to be a young woman, child, woman, or man. Although it is immediately the daily encounter in their rapid social condition that has an impact on their reality in seeing the media and especially for this situation. Young people deeply merge these images with their internal images, especially when it comes to the representation of sexual orientation. Children routinely mask sexual orientation and occupational generalizations from books, tunes, TV, and movies. However, perhaps TV is the most persuasive type of media of all, including SpongeBob SquarePants. The fact of the matter is that “no one can avoid prejudice because it is inherent in our socialization”. All humans, including children, have prejudices, but they are so normalized and taken for granted that they are often very difficult to identify.” Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay SpongeBob SquarePants impacts children through social and solitary practices as well as their behaviors regarding race and sexual orientation. The one-way gender was depicted in one particular episode, SpongeBob and Patrick adopted a child together and live as SpongeBob Patrick and SpongeBob wife respectively. In this specific scene, SpongeBob is the smarter of both, however Patrick gets to work and SpongeBob stays home to clean the house and take care of the baby. From something like this, children develop and create, as well as learn and protect information at a rapid pace. As they develop their subjective capabilities, they acclimate new data and adapt it to what they know for sure. Children's thoughts about how the world works originate from their encounters and the behaviors and practices they see around them. Children who accept that women are roles as caregivers and only men are specialists can develop this understanding. This is also represented in SpongeBob SquarePants where female characters such as Mrs. Puff and Karen are supporting or teaching roles to others, but male characters such as Mr. Krabs and Plankton are CEOs of their companies. The same goes for sports, where "the results of matches between women's teams are not announced daily on local and national television as they are for men's teams." consolidate in future discernments. Remembering that brain-building children watch numerous long periods of television programs and reviewing how television programs reinforce generalizations about sexual orientation is not surprising when these children create stereotypical beliefs. Among the different elements that help shape sexual compound practices, SpongeBob SquarePants does a very compelling job of the previous points of emphasis. Young children will copy and retrace the practices they see on TV, and as a result, children may display these one-sided sexual orientation practices and build on the one-sided sexual dispositions they see demonstrated on TV shows. Children who witness female characters on TV shows like SpongeBob SquarePants are uninvolved, ambivalent, and subordinate to men, and those who see this reinforced by their condition are likely to acceptthat this is the right path for women to take forward. Girls are also more averse to creating independence and innovation activities if they observe the qualities displayed from time to time. Consequently, because male characters in TV shows like SpongeBob SquarePants are intended to appear in influential positions and display confident.conclusive conduct, children become familiar with this as the correct path to take action. Most women in TV shows, or even in SpongeBob SquarePants, are young, attractive, light-hearted, and have a processed quality like Sandy Cheeks, for example. Most of these characters are young or at least middle-aged, where women of moderate age are rare. Women often find themselves in circumstances where appearance controls their helpless and awkward behavior more than is expected. Generalizations about sexual orientation proliferate on television shows, with women being portrayed as asking sexual questions more often than men, and men being portrayed as awkward when caring for children. needs. A great example of this from SpongeBob SquarePants is Patrick Star, who is extremely clumsy at pretty much everything, where Sandy Cheeks is portrayed as smart and well-rounded. This could be seen as a form of privilege as “the result of this system is consistent, unearned privileges and advantages for the dominant group, albeit the intentions of an individual member.” The possibility of a main competition which is undoubtedly not suitable and could shape the inner image of the boys. This also applies to female characters, but especially to people whose LGBTQ identities are equivalent to each other within the group. A generalization of POC groups valuing correspondence with each other however is disturbing to society and could be strengthened in this regard. Even though SpongeBob SquarePants does not show race since all the characters are animated animals, this is what the stereotypes might look like if referenced from the textbook. Latinos over-present themselves and there is a risk of reinforcing Latino generalizations. Asian women are quite regularly individuals of a group, while male Asians are generally presented as a couple in children's TV with the idea that Asians are less individual than Caucasians and could be viewed in this sense. In the textbook, reference is made to “male physicians asserted that women lacked the physical capacity to engage in politics, and male psychiatrists asserted that women lacked the capacity for rational thought necessary for suffrage.” This could be seen as oppression because it was preached that "a woman's place was in the home and ordained by God himself." appeared in hypersexualized positions. Music recordings most of the time show women as sexual objects and in an attempt to attract the attention of a male who ignores them with rap music recordings as often as possible, depicting women as objects of desire. In these situations, women are much more likely to wear provocative clothing than men, while men are very often fully clothed. While early television program advertisements were criticized for being predominantly one-sided for men, in which women regularly appeared in spouse and mother work or displayed household items. This is closer to real life situations, but in SpongeBob SquarePants there were a number of subtle jokes that have pretty dirty meanings. For example, SpongeBob hands his pet Gary two bars of soap, then says "Don't drop them" while also giving a scary wink, making thegenerously clear reference to the attack in the prison showers. virile territory is represented by voice-overs and performances in which the vast majority of voices are male. This is also true in SpongeBob SquarePants as most of the characters on the show are male, dominating the scene with a male influence in most episodes. While some children's editing has been attacked for being vicious, nonessential, or chauvinistic, other children's projects are often praised for trying to meet children's educational needs. Sexism, be that as it may, can be found in several shows, and most of them all have male names or voices. In addition to the fact that “our attention is focused on isolated events from the past, rather than the big picture, current patterns of oppression become harder for us to see.” Even children's projects on public television reliably show fewer women than boys. Additionally, TV shows like SpongeBob SquarePants demonstrate a wider range of occupations for boys than for women. There is a tendency to propose that the inclinations of young people have priority over those of young women since young people speak to the vast majority of the audience of the show. Generalizations about sexual orientation are also common on daytime shows, where women are often portrayed as miserable people unable to cope without help. This can be seen in a series of episodes where Pearl repeatedly goes to her father, Mr. Krabs, to ask for advice or to look for money to go with her friends. Children watch these shows as often as possible after school, reinforcing their idea of ​​women as subordinate, silly, and uncertain. In plug-ins for children's shows, young people are demonstrated even more often and in increasingly dynamic works where the conduct of young women is much more likely to be inactive. It has also been proposed that young women watch male-led shows and advertisements essentially under the light of the fact that this is what is accessible. In any case, given the alternative, young women will eventually stick to more sexually impartial programming. It has been shown that children without television are less stereotyped in their sex work mentality, while in general children who watch programs with unusual sex work will do so. Have work-related observations about unconventional sexual orientation. As children model the conduct they see on television shows like SpongeBob SquarePants, they will likely support the generalizations about sexual orientation they see. Television has an impact on children with respect to their disposition towards sexually oriented jobs. Generalizations about sex work seen on television programs are then reinforced by guardians' peers and the school, adding to boys' sense of being male or female in the public arena. TV shows like SpongeBob SquarePants send intense and compelling messages about culturally sanctioned sex jobs, which are regularly one-sidedly stereotyped and outdated, as I mentioned before. As children continue to create and develop, they are introduced to more and more examples of such sexual inclinations and generalizations. Children's television programs, especially the quality, must be improved, since their programming is so in control of these one-sided and mutilated representations of the real world. I have found that some propensities, such as young women, are represented lopsidedly as individuals of a group, equivalent and rarely”..