Women in classical literature have been characterized as the submissives who lack the intellectual substance for leading roles. As generations evolve in modern culture, hints of sexist ideals become attached to social norms. Women's bodies are not theirs, but the property of another man. Women's thoughts are not highly valued because men consider themselves intellectually more capable than women. The modern woman's fear is embodied by what men claim to own: their own body and mind. Terry Pratchett's quirky comedy introduces these feminist views with a band of supernatural characters who appear to be women. The name “Monstrous Regiment” in itself becomes synonymous with the unknown qualities and power of these women through their minds and bodies, rather than through their supernatural beings. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Terry Pratchett creates the narrative that women are intellectually more superior than men in his fictional world. The introductory scene of the leading women entering the ranks starting on page 9 reflects how the women articulate their words better than Corporal Strappi, and are more educated due to their ability to read and write their own name: “My word, I can see , today we have a college of recruits” (Pratchett 11). From the answers of Strappi and Jackrum, it can be assumed that while the men are at war, the women spent their lives in school, getting an education. Pratchett furthers this theme of intellectual women through the manifestation of the main heroine, Polly Perks. Pratchett uses the washerwoman scene and the barmaid scene to show women and their manipulative power over men. Polly pushes Lieutenant Blouse on her idea of ​​dressing as a washerwoman to enter the keep, while maintaining Lieutenant Blouse's ego by allowing him to think it was his original idea: "If a man comes in, he could spy on the situation from a military perspective, disable all the guards near the door and let the rest of the troops in!' … 'Oh, you're a brave enough guy, sure, but what makes you think you have a chance of passing yourself off as a woman? (Pratchett 95-96) women are aware of their own talent as women and know how to act make it However, as the audience discovers how intricate women are in the military system, Pratchett continues to resist the sexist ideals of modern society despite their adversities The domestic lives of all the female characters in the play reveal that women's roles are openly excluded in the advancement of society and politics. In terms of recruitment for war, women are at the bottom of the social hierarchy compared to trolls, vampires and Igors. Even though it is now common to see women pretending to be men to join the ranks, sexism prevails even in the face of defeat Even when revealed to be a woman, General Froc refuses to submit to the ideals of equality in the military: “You men, with the exception of Lieutenant Blouse, will agree to be brought back. at your home and entrusted to a responsible male." (Pratchett 125) The condemnation of this regiment becomes even more troubling when faced with Jackrum's discovery of the hierarchy of military branches: “Who needs proof? Once they believe it, well, it's as good as it is true. Which at least in this case it is. And wouldn't you be in good company, sir? Together with Colonel "Olga" Cumbabund, Major "Janet" Derbi and Captain "Chloe" Jodphurs. More than a third of the High Command of this country, in.