Based on the extraordinary historical legend of the queen of the British Celtic tribe the Iceni, Trisian Bernays Boudica, played by Gina McKee, immerses you in a rebellion you didn't know you wanted to be a part of.Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay When King Prasutagus, the king of the Iceni tribe, dies, his wife, the rightful Queen Boudica, has returned home to reclaim her throne. She has lived for many years in the forest in self-imposed exile with her two daughters, Blodwynn the eldest played by Natalie Simpson and Alonna, played by Joan Lyiola, to teach them the importance of self and the skills they will need as leaders one day . Upon her return, a richly well-dressed Catus Deciamus, a Roman prosecutor, beautifully played by Samuel Collings, greets her, but not in the way you would expect a queen to be greeted. She informs the queen that due to her late husband's spending habits, she and her daughters are not entitled to what is rightfully theirs, and if that wasn't heinous enough for Catus' pleasure, they were now not citizens of Rome , but property. After the shame of what happened to her rights and the abuse she and her daughters suffered. Queen Boudica faces a choice, slavery or rebellion, and if McKee's portrait of the feminist icon had chosen the former of the two options, director Eleanor Rode wouldn't have much story to translate visually to the world-famous stage of Shakespeare's Globe Theatre. Tom Piper, the designer of this production, has skilfully created a set, which is visually stimulating to the audience's imagination but minimalist enough to allow the stage to be opened up for practical uses. This comes into play on multiple occasions throughout the production, both in the opening scene of the production with three Roman soldiers standing guard, sarcastically expressing their love for the British Isles, the British climate, and British women. Or when Queen Boudica gruesomely cuts out the tongue of a Roman soldier in the center of the Globe's iconic stage, so not only can the audience see the rebellion in all its glory, but if they get too close, they might walk away with it. some of them even on their clothes as souvenirs. A moment where the use of scenography really stands out both visually and technically is when Queen Boudica and her rebellion forcefully take the stage with their chaotic attack with wooden planks falling one by one revealing each member of the Celtic tribes who joined in her revenge to take back what the Romans had taken from her. Once the gates of the "Palaces" are broken down, she is revealed on stage, shrouded in smoke, with light shining behind her, with only the silhouette of Queen Boudica standing on a chariot. We don't know if this is a connection to the Boudica statue based in London, but it was perfect. And there she was, the rightful queen. The lighting was simply incredible for this victorious moment, creating an atmospheric treat that you just have to experience for yourself. Another significant moment where the scenery and lighting go well together is when fallen wooden planks are used to create the illusion of trees within the forest, and it is one of the last times we see our Queen Boudica . Without revealing too much to those who are not familiar with the story of Boudica (but if you know the story then you will surely know the ending of this heroic tale), this is a truly heartbreaking scene where the play of colors of the lights from blue to red they match the images in front of you perfectly. The costumes, makeup and hair for this production are.