This photo is a portrait of Show Fate, the nineteenth-century rule that the extension of the United States to all landmasses was legitimate and inescapable. The image shifts to the modernization of the new west. Columbia, a representation of the Unified States is shown leading human progress westward with the American Pilgrims. The woman outlined in the photo is shown carrying light from east to west, symbolizing the burgeoning development in the westward direction. Holding school reading material in hand, it presents different stages of financial movement and education movement. Transmission wire conducted from Columbia indicates the types of transport advancing. In the nineteenth century, the show's predetermination was a generally widespread belief in the United States that its pilgrims were destined to extend across North America. The depiction of the military moving westward is synonymous with military expansion across the nation. Pictured, there are regions where chariots and steeds can be believed to demonstrate how transportation was used in that day and age. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The photo scene is exceptionally open, demonstrating that when they were going there was plenty of room for them to expand their domain. With this belief system so widespread among people of the time, the West was not only seen by some as an amazing open door for a new beginning, but also as a truly monetary open door for people seeking to abuse of the cheerful considerations of others. With the right half of the canvas speaking to Eastern America and the left half of the artistic creation speaking to Western America, the overall scene is a representation of the nascent nation. An exceptionally perceptible point of view is the variety of light observed when looking east and west. The right edge of the depiction is beautiful, demonstrating that the eastern part of America is promising. Because they live on the East Coast, the pioneers were already aware of and in tune with their environment. As the canvas moves to the left, it begins to get darker with the far left edge separated by a dim sky. Decorated with stormy mists, the depiction depicts the threats these pioneers may encounter as they move west. For example, Catherine Pringle and her relatives made their way from Missouri to Oregon, losing their parents when local Americans killed them. This was followed by an epidemic of measles among the Indians, who attributed the plague to Dr. Whitman's illness. Upon further investigation, the gentle shifting slopes of the east offer an approach to the barbed mountains as the artwork moves left to the west. . This symbolizes the inviting warmth and friendliness of the East that differentiates the boring and disturbing quality of the West. In Gast's presentation of characters in artistic creation, a great impact is made on the viewer's feelings. The lady looks like a celestial attendant-like figure as she appears to move westward, illuminating her light as she runs. The wagons hold out the possibility of mechanical advances being carried westward as Americans continue to settle in the suburbs, and wonders at all levels. The reason the woman spoke to a heavenly servant was to present destiny as a divine idea. Playing the glorious lady within, it is thought that it was a magnificent obligation of the Americans to extend the nation to the Pacific Sea. Using intensity allows users to.